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Mention de date : décembre 1994
Paru le : 01/12/1994
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[n° ou bulletin] est un bulletin de
Titre : |
N° 42 - décembre 1994 |
Type de document : |
texte imprimé |
Année de publication : |
1994 |
Importance : |
1 vol. (168 p.) |
Présentation : |
ill. en coul., couv. ill. en coul. |
Langues : |
Allemand (ger) |
Résumé : |
"In the work of Weiner and Whiteread, “art and life” appear as an objective, tangible fusion, melted into a single body. Both artists have worked in public spaces, and faced the friction of public exposure. “I’ll be a tattoo on Rachel Whiteread’s structures,” Lawrence Weiner said when we suggested juxtaposing the two of them. Public opinion has been given a voice in this issue. An anti-aircraft tower from World War II that stands in the midst of Vienna bears an inscription by Weiner that is visible from afar: SMASHED TO PIECES (IN THE STILL OF THE NIGHT). The personal responses of individuals to Weiner’s piece reveal an emotional spectrum that does not exclude indifference, while the intense reactions to Rachel Whiteread’s spectacular sculpture HOUSE demonstrate its powerful impact on the community.
By contrast, writer Vince Leo traces the shift of Robert Frank’s photographic oeuvre from public to private sphere: “In 1959 it must have looked as if the whole country was in the process of abandoning public space.” He goes on to observe that “privacy and image control, once the privilege of the rich, became a guiding force in all visual relations.”
Nan Goldin’s ardent, vital images of human vulnerability in the Insert cross those unwrit¬ten boundaries that have become the subject of the present issue of PARKETT. "
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Note de contenu : |
Sommaire :
Robert Frank: From Compromise to Collaboration by Vince Leo
Larence Weiner
Rachel Whiteread
- Weiner’s Werkstätte / Brooks Adams
- Providing Metaphor Needs : Lawrence Weiner’s Specific & General Works / Frances Richard
- Public Freehold / Dieter Schwarz
- The Meaning that Comes Away from the Work of Art / Daniela Salvioni
- Inquiry: Smashed Pieces (In the Still of the Night)
- But Can She Bake a Cherry Pie? / Lane Relya
- Vers les Etoiles / Edward Leffingwell
Edition for parkett : Laurence Weiner
- Rachel Whiteread: Separation Anxiety and the Art of Release / Neville Wakefield
- Whiteread’s Ghost / Trevor Fairbrother
- The Curbed Monumentality of the Invsible / Rudolf Schmitz
- About the HOUSE / Simon Watney
Edition for parkett : Rachel Whiteread
- Cursive / Ingrid Schaffner
-Nan Goldin, Insert
- Recent Sculptures of Markus Raetz – On the Subject of Metamorphoses, Les Infos du Paradis by Claude Ritschard
- New Measures, Cumulus from Europe by Guy Brett
- The Spirit & The Letter & The Evil Eye, Cumulus from America / Martha Fleming
- Intriguing Artists, Balkon / Roberto Ohrt
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